The End of Everything by M. John Harrison

5 hours ago

M. John Harrison's short story 'The Crisis' features ambiguous alien-like entities called the iGhetti that transform London into a spectral zone, yet society largely ignores them.
In Harrison's novel 'The End of Everything', set in the 2040s, collective denial of disaster continues as coastal towns maintain normalcy despite routine violence and collapse.
The protagonist Phillip Tennent discovers a mysterious biological artefact from the iGhetti, which grows and learns, becoming a central enigma in the plot.
Harrison's writing emphasizes ordinary experience and the inexplicable, rejecting linear plotting and legible motives in favor of dreamy puzzlement.
The novel reflects Harrison's belief that science fiction should embrace the inexplicable, not the explicable, challenging readers to accept ambiguity.

The Sopranos is considered the greatest TV show, blending collective efforts in writing, acting, and production.
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It examines three tensions: past shaping present, identity origins, and contrasts between greatness and mundanity.

Jo Walton's new novel, 'Everybody's Perfect,' is beautiful, profound, and unlike any of her previous works.
The book is structured like Ada Palmer's 'Inventing the Renaissance,' with each chapter from a different character's perspective in a phantom Venice called the Serenissima.
In the Serenissima, belief shapes reality, and residents greet each other with 'I see you' to prevent disappearing.

Henry Lincoln continues investigating Rennes-le-Château, moving from screenwriting to full-time research.
Lincoln meets Richard Leigh and Michael Baigent, forming a trio that will popularize the conspiracy.
The third BBC Chronicle episode "The Shadow of the Templars" airs in 1979, focusing on Lincoln's personal quest.

The author uses stories as their primary means of self-explanation because words alone are insufficient; stories convey deeper, nuanced meanings and require full context to be understood.
Examples from media like 'In Stars And Time', 'Carrie', '17776', and a personal photo illustrate that stories encompass multiple meanings that cannot be fully articulated in a single explanation.
The author identifies with a character from 'Ancillary Justice' (Justice of Toren One Var), whose fragmented identity mirrors the author's own experience of acting against interests and desires, highlighting the limitations of language.

The text satirizes the chaotic, ever-changing nature of working in an AI/tech environment, where frameworks, tools, and best practices are constantly deprecated and replaced.
It mocks the futile pursuit of a complete understanding or perfect map, as change makes them obsolete almost immediately.
The 'Grammar Wars' highlight the tension between over-documentation and simplicity in guidance, both often failing to prevent misunderstanding.

The Sopranos is considered the greatest TV show, blending collective efforts in writing, acting, and production.
The show explores deep themes like mortality, identity, and meaning, balancing glamour with ugliness in human experience.
It examines three tensions: past shaping present, identity origins, and contrasts between greatness and mundanity.

Jo Walton's new novel, 'Everybody's Perfect,' is beautiful, profound, and unlike any of her previous works.
The book is structured like Ada Palmer's 'Inventing the Renaissance,' with each chapter from a different character's perspective in a phantom Venice called the Serenissima.
In the Serenissima, belief shapes reality, and residents greet each other with 'I see you' to prevent disappearing.

Henry Lincoln continues investigating Rennes-le-Château, moving from screenwriting to full-time research.
Lincoln meets Richard Leigh and Michael Baigent, forming a trio that will popularize the conspiracy.
The third BBC Chronicle episode "The Shadow of the Templars" airs in 1979, focusing on Lincoln's personal quest.

The author uses stories as their primary means of self-explanation because words alone are insufficient; stories convey deeper, nuanced meanings and require full context to be understood.
Examples from media like 'In Stars And Time', 'Carrie', '17776', and a personal photo illustrate that stories encompass multiple meanings that cannot be fully articulated in a single explanation.
The author identifies with a character from 'Ancillary Justice' (Justice of Toren One Var), whose fragmented identity mirrors the author's own experience of acting against interests and desires, highlighting the limitations of language.

The text satirizes the chaotic, ever-changing nature of working in an AI/tech environment, where frameworks, tools, and best practices are constantly deprecated and replaced.
It mocks the futile pursuit of a complete understanding or perfect map, as change makes them obsolete almost immediately.
The 'Grammar Wars' highlight the tension between over-documentation and simplicity in guidance, both often failing to prevent misunderstanding.

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